USPTO serial 88634719
1ME
Reviewed by CopyMark Law Group
Status 606
- Filing date
- Status date
- Registration date
- —
- Examiner
- BENMAMAN, ALICE
- Law office
- INTENT TO USE SECTION
What this means
This page summarizes the public USPTO record for this serial number, including owners, goods and services, and prosecution history.
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Owner
Goods and services
| Class | Description | Status | First use |
|---|---|---|---|
| 041 | Entertainment services in the nature of ongoing IPTV (Internet Protocol Television) television programming segments in the field of personal relationships, remote digital production of entertainment content, and peer-to-peer coaching services that feature registered users as entertainers; Entertainment services, namely, storytelling; Providing online interactive entertainment in the nature of ongoing television shows featuring comedy, drama, variety, reality, news, music, satire, social commentary, and theatrical performance; Providing a web-based system and online portal for users to participate in online television shows and movies for entertainment purposes; Entertainment and educational services, namely, providing interactive forums, workshops, panel discussions, and ongoing games, television shows, and webisodes, which may include video, voice, text, photos, live streams, illustrations, animations, or hypertext, all in the field of public interest concerning media production, media education, media technology, and the performing arts; Providing information, and instruction in the field of television show production; Providing a web-based online portal for users to participate in online gaming, operation and coordination of game tournaments, leagues and tours for the purpose of entertainment; Arranging and conducting ongoing television game show and video game competitions; Digital video, audio, and multimedia publishing and syndication of television programs featuring comedy, parodies, reboots, fan fiction, pop culture, drama, news, current events, reality, variety, wellness, fitness, health, science, business, politics, social commentary, social media, entrepreneurship, travel, food, technology, fashion, music, gaming, e-sports, movies, treasure game hunts, detective shows, celebrity interviews, talk shows, game shows, award shows and inspiring stories by the general public; Television programs production and programming; Production and programming of Internet Protocol Television (IPTV) television programming segments, shows and series; Publishing of online magazines; Lottery services; Entertainment services, namely, organizing, conducting, producing, and presenting live performances in the nature of one-person streaming television shows, featuring performances by users via their smartphone, smart television, web camera, or internet-connected device; Entertainment and education services, namely, live and pre-recorded online television shows featuring video interviews with amateur, semi-professional, and professional performers, actors, instructors and directors; Production and presentation of live television programs and non-downloadable webinars in the field of educational content, namely, bonus materials, tutorials and training related to television production; Entertainment services, namely, ongoing online television shows in the field of social issues, economic justice and humanitarianism featuring hyperlinks to websites of charity events related to show content, and provision of information regarding online television shows; Virtual reality and augmented reality video production and virtual reality game services provided online from a computer network; Production of award shows via smartphones, smart televisions, and the Internet; Production and distribution of ongoing television shows featuring live user video and voice segments accessed via web applications, mobile applications, smart cameras, smartphones, smart televisions, wearable digital devices, voice-activated devices, artificial intelligence robots, 3D projectors, and the Internet; Providing live entertainment, namely, live performances by individuals as celebrities, actors, singers, announcers, commentators, speakers, reporters, artists, content creators, musicians, dancers, electronic gamers, athletes, DJs, critics, and talk show hosts, via global telecommunications networks; Providing ongoing television shows featuring first-person accounts of current events, and reporting of news stories; Providing entertainment in the nature of public commentary and information regarding social entertainment issues, via smartphones, smart televisions, voice-activated speakers, and the Internet; Providing information, news, and commentary regarding general topics of public interest, namely, unscripted, nonfiction, user-generated stories; Presenting information, dramatizations, reenactments, and commentary in the field of current events, via the Internet, smart televisions, and mobile phones; Providing an Internet portal featuring links to non-downloadable videos and online websites in the field of current events; Entertainment, information, news, and peer-to-peer commentary in the nature of live user-generated feeds in the field of news, news reporting, current events, social issues, entertainment news, e-sports, games, movies, influencers and celebrities, and peer-to-peer commentary on a wide variety of general interest stories, provided via the Internet, smart televisions, tablets, smart cameras, and smartphones; Entertainment, namely, a continuing radio show broadcast over radio or internet radio; Providing an Internet website portal featuring entertainment news and information specifically in the field of cinema, indie films, and film festivals; Entertainment services, namely, conducting and presenting a series of digital media in the nature of non-downloadable videos that feature audience participation, and performing arts festivals; Providing entertainment services in the nature of ongoing Internet Protocol Television (IPTV) television programming segments in the field of television variety shows that encourage users to participate in online talent competitions, and to review, rate, share, offer feedback on and vote on the performances of others; Entertainment and education services in the nature of a series of short shows featuring personal appearances by actors, performers, personalities, influencers, celebrities, narrators, speakers, announcers, show hosts and presenters, broadcast via television, satellite, cable, mobile, digital media, social media, mobile applications, web-based applications, and/or the Internet; Rental of film mobile studio production services; Providing non-downloadable online videos featuring instruction and mentoring on writing, staging, and producing a one-person show; Entertainment services, namely, providing online virtual environments and virtual sets in which users can perform in virtual shows in real-time via their smartphone or webcam for recreational, leisure or entertainment purposes; Providing ongoing television programs featuring interactive participation via real-time text, instant messaging, live chat, peer-to-peer networking, and live video streams over the Internet, smart television, smartphones, and smart digital devices; Providing an online searchable database in the field of entertainment featuring movie and television producers, performers, and resources in the nature of television production studio services; Presenting an awards show and incentive awards program designed to reward the professionalism of participants; Direction of making news segments for streaming television broadcasts; Conducting live events in the nature of interactive panel discussions in the field of live stage productions featuring public interest concerning television production, participation, monetization, education, and technology, and road shows in the nature of live performances by comedic and dramatic groups featuring audience participation in such events; Providing voiceovers and narration for audio and video shows and other recorded media for entertainment and education purposes; Entertainment services, namely, providing training and coaching in the field of music, video, television and film concept and script development | ACTIVE | — |
Related trademarks
CopyMark links this record to cited §2(d) serials, the owner's other marks, Nice classes, similar mark names, and recently changed USPTO applications.
Prosecution history
| Date | Code | Event | What it means |
|---|---|---|---|
| Jan 3, 2022 | MAB6 | ABANDONMENT NOTICE E-MAILED - NO USE STATEMENT FILED | The intent-to-use application was abandoned because no acceptable Statement of Use (or valid extension) was filed before the Notice of Allowance deadline expired. The application is dead unless revived within a limited window. |
| Jan 3, 2022 | ABN6 | ABANDONMENT - NO USE STATEMENT FILED | The intent-to-use application was abandoned because no acceptable Statement of Use (or valid extension) was filed before the Notice of Allowance deadline expired. The application is dead unless revived within a limited window. |
| Jun 1, 2021 | NOAM | NOA E-MAILED - SOU REQUIRED FROM APPLICANT | A Notice of Allowance means your intent-to-use application cleared examination and opposition but is not registered yet. You must file a Statement of Use showing the mark in commerce, or request an extension, before the deadline — usually six months from the notice date. |
| Apr 6, 2021 | NPUB | OFFICIAL GAZETTE PUBLICATION CONFIRMATION E-MAILED | — |
| Apr 6, 2021 | PUBO | PUBLISHED FOR OPPOSITION | Your mark was published in the USPTO Official Gazette for a 30-day opposition window. During that period, third parties who believe they would be harmed can file an opposition. If no opposition is filed, prosecution usually continues toward registration or a Notice of Allowance. |
| Mar 17, 2021 | NONP | NOTIFICATION OF NOTICE OF PUBLICATION E-MAILED | — |
| Mar 2, 2021 | ALIE | ASSIGNED TO LIE | — |
| Mar 2, 2021 | CNSA | APPROVED FOR PUB - PRINCIPAL REGISTER | — |
| Mar 1, 2021 | TEME | TEAS/EMAIL CORRESPONDENCE ENTERED | — |
| Feb 27, 2021 | CRFA | CORRESPONDENCE RECEIVED IN LAW OFFICE | — |
| Feb 27, 2021 | ERFR | TEAS REQUEST FOR RECONSIDERATION RECEIVED | — |
| Aug 31, 2020 | GNFN | NOTIFICATION OF FINAL REFUSAL EMAILED | — |
| Aug 31, 2020 | GNFR | FINAL REFUSAL E-MAILED | A final Office Action (final refusal) means the examining attorney is maintaining at least one refusal and your options are narrower. You can file a response addressing the refusal, appeal to the Trademark Trial and Appeal Board, or let the application abandon. |
| Aug 31, 2020 | CNFR | FINAL REFUSAL WRITTEN | A final Office Action (final refusal) means the examining attorney is maintaining at least one refusal and your options are narrower. You can file a response addressing the refusal, appeal to the Trademark Trial and Appeal Board, or let the application abandon. |
| Jul 31, 2020 | TEME | TEAS/EMAIL CORRESPONDENCE ENTERED | — |
| Jul 30, 2020 | CRFA | CORRESPONDENCE RECEIVED IN LAW OFFICE | — |
| Jul 30, 2020 | TROA | TEAS RESPONSE TO OFFICE ACTION RECEIVED | This event means the applicant filed a response to a USPTO Office Action — typically arguments, amendments, or evidence addressing the examiner's objections. The USPTO will review the response and either allow the mark to proceed or issue another action. |
| Jan 30, 2020 | GNRN | NOTIFICATION OF NON-FINAL ACTION E-MAILED | A non-final Office Action means the USPTO examining attorney has raised at least one issue with your trademark application but has not made a final decision. You usually have three months to respond with arguments, amendments, or evidence. Missing the deadline can abandon the application. |
| Jan 30, 2020 | GNRT | NON-FINAL ACTION E-MAILED | A non-final Office Action means the USPTO examining attorney has raised at least one issue with your trademark application but has not made a final decision. You usually have three months to respond with arguments, amendments, or evidence. Missing the deadline can abandon the application. |
| Jan 30, 2020 | CNRT | NON-FINAL ACTION WRITTEN | A non-final Office Action means the USPTO examining attorney has raised at least one issue with your trademark application but has not made a final decision. You usually have three months to respond with arguments, amendments, or evidence. Missing the deadline can abandon the application. |
| Jan 24, 2020 | DOCK | ASSIGNED TO EXAMINER | — |
| Jan 24, 2020 | NWOS | NEW APPLICATION OFFICE SUPPLIED DATA ENTERED | — |
| Oct 1, 2019 | NWAP | NEW APPLICATION ENTERED | — |