USPTO serial 99517466
MAJOR TOM
Reviewed by CopyMark Law Group
Status 661
- Filing date
- Status date
- Registration date
- —
- Examiner
- POMEROY-MURPHY, KAITLIN I
- Law office
- TMO LAW OFFICE 126
What this means
This page summarizes the public USPTO record for this serial number, including owners, goods and services, and prosecution history.
Need help with MAJOR TOM?
If you own this trademark, we can monitor new filings and help with USPTO deadlines. If you do not, we can file a new U.S. application.
Current trademark owner
Monitor this mark, or talk with CopyMark about this registration.
Not the owner?
File a new U.S. trademark application, or speak with our attorneys.
Owner
Attorney of record
The USPTO lists this attorney as the applicant's representative for correspondence on this application.
Norman B. Thot
Norman B. Thot THOT PATENTP.O. BOX 10 17 5640837 Ratingen, NRWGermanyGoods and services
| Class | Description | Status | First use |
|---|---|---|---|
| 041 | Planetarium services, namely, organization, implementation, and operation of full-dome shows; organization, implementation, and operation of entertainment events, namely, concerts and multimedia entertainment experiences being concerts combining a live musical performance, a prerecorded musical performance, or prerecorded music with shifting digital backdrops to blend space, sound, and sight into a single immersive artistic work in a theater, musical theater, performing arts center, planetarium or dome, real-time, preprogramed and stereo visual mixing of shifting digital backdrops by artists during live or prerecorded concerts to blend space, sound, and sight into a single immersive artistic work in a theater, musical theater, performing arts center, planetarium or dome, and immersive cinematic experiences combining music with shifting digital backdrops to blend space, sound, and sight into a single immersive artistic work in a theater, musical theater, performing arts center, planetarium or dome; organization, implementation, and operation of immersive entertainment events, namely, concerts combining a live musical performance, a prerecorded musical performance, or prerecorded music with shifting digital backdrops to blend space, sound, and sight into a single immersive artistic work in a theater, musical theater, performing arts center, planetarium or dome, real-time, preprogramed and stereo visual mixing of shifting digital backdrops by artists during live or prerecorded concerts to blend space, sound, and sight into a single immersive artistic work in a theater, musical theater, performing arts center, planetarium or dome, and immersive cinematic experiences combining music with shifting digital backdrops to blend space, sound, and sight into a single immersive artistic work in a theater, musical theater, performing arts center, planetarium or dome; organization, implementation, and operation of immersive entertainment shows, namely, concerts combining a live musical performance, a prerecorded musical performance, or prerecorded music with shifting digital backdrops to blend space, sound, and sight into a single immersive artistic work in a theater, musical theater, performing arts center, planetarium or dome, real-time, preprogramed and stereo visual mixing of shifting digital backdrops by artists during live or prerecorded concerts to blend space, sound, and sight into a single immersive artistic work in a theater, musical theater, performing arts center, planetarium or dome, and immersive cinematic experiences combining music with shifting digital backdrops to blend space, sound, and sight into a single immersive artistic work in a theater, musical theater, performing arts center, planetarium or dome; organization, implementation, and operation of immersive video-accompanied music events, namely, concerts combining a live musical performance, a prerecorded musical performance, or prerecorded music with a synchronized video or film to blend space, sound, and sight into a single immersive artistic work in a theater, musical theater, performing arts center, planetarium or dome, real-time, preprogramed and stereo visual mixing of video or film by artists during live or prerecorded concerts to blend space, sound, and sight into a single immersive artistic work in a theater, musical theater, performing arts center, planetarium or dome, and immersive cinematic experiences combining music with a synchronized video or film to blend space, sound, and sight into a single immersive artistic work in a theater, musical theater, performing arts center, planetarium or dome; organization, implementation, and operation of non-immersive video-accompanied music events, namely, concerts combining a live musical performance, a prerecorded musical performance, or prerecorded music with a synchronized video or film to blend space, sound, and sight in a theater, musical theater, performing arts center, planetarium or dome, real-time, preprogramed and stereo visual mixing of video or film by artists during live or prerecorded concerts of music to blend space, sound, and sight in a theater, musical theater, performing arts center, planetarium or dome, and cinematic experiences combining music with a synchronized video or film to blend space, sound, and sight into a single artistic work in a theater, musical theater, performing arts center, planetarium or dome; organization, implementation, and operation of 360-degree productions for entertainment purposes, namely, concerts combining a live musical performance, a prerecorded musical performance, or prerecorded music with shifting digital backdrops to blend space, sound, and sight into a single immersive artistic work in a theater, musical theater, performing arts center, planetarium or dome, real-time, preprogramed and stereo visual mixing of shifting digital backdrops by artists during live or prerecorded concerts to blend space, sound, and sight into a single immersive artistic work in a theater, musical theater, performing arts center, planetarium or dome, and immersive cinematic experiences combining music with shifting digital backdrops to blend space, sound, and sight into a single immersive artistic work in a theater, musical theater, performing arts center, planetarium or dome; organization, implementation, and operation of live concerts; organization, implementation, and operation of music concerts; organization, planning, and implementation of musical performances; organization, implementation, and operation of live events, namely, concerts combining a live musical performance with shifting digital backdrops to blend space, sound, and sight into a single immersive artistic work in a theater, musical theater, performing arts center, planetarium or dome, and real-time, preprogramed and stereo visual mixing of shifting digital backdrops by artists during live concerts to blend space, sound, and sight into a single immersive artistic work in a theater, musical theater, performing arts center, planetarium or dome; provision of facilities for multimedia entertainment experiences; production or co-production of entertainment events, namely, concerts, and multimedia entertainment experiences being concerts combining a live musical performance, a prerecorded musical performance, or prerecorded music with shifting digital backdrops to blend space, sound, and sight into a single immersive artistic work in a theater, musical theater, performing arts center, planetarium or dome, real-time or preprogramed visual mixing of shifting digital backdrops by artists during live or prerecorded concerts to blend space, sound, and sight into a single immersive artistic work in a theater, musical theater, performing arts center, planetarium or dome, and immersive cinematic experiences combining music with shifting digital backdrops to blend space, sound, and sight into a single immersive artistic work in a theater, musical theater, performing arts center, planetarium or dome; entertainment services, namely, multimedia programs featuring musical, adventure, exploration, comedy, family, instructive, science fiction, fantasy, ride simulation and flight simulation presented using technologies for an immersive viewing experience distributed via various platforms across multiple forms of transmission media; orchestra music performances | ACTIVE | Sep 24, 1983 |
Related trademarks
CopyMark links this record to cited §2(d) serials, the owner's other marks, Nice classes, similar mark names, and recently changed USPTO applications.
Prosecution history
| Date | Code | Event | What it means |
|---|---|---|---|
| Aug 21, 2026 | TEME | TEAS/EMAIL CORRESPONDENCE ENTERED | — |
| Aug 21, 2026 | CRFA | CORRESPONDENCE RECEIVED IN LAW OFFICE | — |
| Aug 21, 2026 | TROA | TEAS RESPONSE TO OFFICE ACTION RECEIVED | This event means the applicant filed a response to a USPTO Office Action — typically arguments, amendments, or evidence addressing the examiner's objections. The USPTO will review the response and either allow the mark to proceed or issue another action. |
| Jul 7, 2026 | XELG | APPLICATION EXTENSION GRANTED/RECEIPT PROVIDED | — |
| Jul 7, 2026 | XELR | APPLICATION EXTENSION TO RESPONSE PERIOD - RECEIVED | — |
| Apr 7, 2026 | GNRN | NOTIFICATION OF NON-FINAL ACTION E-MAILED | A non-final Office Action means the USPTO examining attorney has raised at least one issue with your trademark application but has not made a final decision. You usually have three months to respond with arguments, amendments, or evidence. Missing the deadline can abandon the application. |
| Apr 7, 2026 | GNRT | NON-FINAL ACTION E-MAILED | A non-final Office Action means the USPTO examining attorney has raised at least one issue with your trademark application but has not made a final decision. You usually have three months to respond with arguments, amendments, or evidence. Missing the deadline can abandon the application. |
| Apr 7, 2026 | CNRT | NON-FINAL ACTION WRITTEN | A non-final Office Action means the USPTO examining attorney has raised at least one issue with your trademark application but has not made a final decision. You usually have three months to respond with arguments, amendments, or evidence. Missing the deadline can abandon the application. |
| Mar 31, 2026 | DOCK | ASSIGNED TO EXAMINER | — |
| Mar 25, 2026 | NWOS | NEW APPLICATION OFFICE SUPPLIED DATA ENTERED | — |
| Nov 26, 2025 | MAFR | APPLICATION FILING RECEIPT MAILED | — |
| Nov 26, 2025 | NWAP | NEW APPLICATION ENTERED | — |